Italian fencing treatise printed at Venice in 1696 and attributed in the bibliographic tradition to Bondi di Mazo. Gelli preserves the work while noting uncertainty around the author's identity and family background.
Castle also records the Venice 1696 Bondi di Mazo witness with eighty copperplates.
Vigeant 1882 confirms the emblematic frontispiece, the count of 80 copperplates, and the accessory matter of dedication, sonnets, and address to the reader.