ARMORUM ARCHIVE
French dramatist and theatre manager who wrote numerous melodramas, often in collaboration. As Eugène Cantiran de Boirie he co-authored Storb et Verner, ou Les suites d’un duel with P. G. A. Bonel for the Théâtre de la Porte-Saint-Martin in 1805.
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French playwright and prolific vaudeville author. With Jules-Joseph-Gabriel de Lurieu, writing as J. Gabriel, he wrote the one-act musical comedy La salle d’armes in 1843.
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French watercolourist, lithographer, art historian and playwright commonly published as Ernest Jaime. He contributed to Paris newspapers and collaborated on comedies and vaudevilles staged in leading nineteenth-century theatres.
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French cavalry officer and general who wrote on the Franco-Prussian War, cavalry tactics and the growing role of dismounted cavalry combat in modern warfare.
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French lawyer, poet, administrator and magistrate from Allauch. He became mayor during the Revolution and later president of the civil court of Marseille; in 1819 he published a proposal for legislation against duelling.
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Jean-Pierre Maffioli is represented in the reviewed catalogue records as author of “Dissertation sur le duel, destinée aux écolesdedroit” (1822). No additional biographical identity or secure life dates are asserted beyond these linked manifestations.
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Jeremy Collier is represented in the reviewed catalogue records as author of “Essays: upon Pride, Cloaths, Duelling, General Kindness,the office of aChaplain,the Weakness ofHuman Reason. 2nd edition” (1697). No additional biographical identity or secure life dates are asserted beyond these linked manifestations.
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Aragonese soldier, poet and translator whose writings on military honour include an account of the proposed single combat between Emperor Charles V and Francis I of France.
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Spanish Baroque writer and proponent of Verdadera Destreza. His short Aristotelian argument maintains that the philosophy and skill of arms constitute a science, using scriptural and syllogistic reasoning.
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Fencing author identified by the initials Jh. on the 1826 Basel Anleitung zum Gebrauch des Bajonets, also issued in French. No safe expansion of the initials or life dates is presently available.
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Joachim Köppe is represented in the reviewed catalogue records as author of “Newer Discurs Von der Rittermeszigen und Weitberumbten Kunst des Fechtens” (1619). No additional biographical identity or secure life dates are asserted beyond these linked manifestations.
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French Sulpician priest, theologian and moral writer who directed seminaries and became parish priest of Saint-Sulpice in Paris in 1696. His widely reprinted Instructions pour un jeune seigneur concerns noble conduct and education.
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